- Published: 26 August 2015
- ISBN: 9780241985571
- Imprint: Penguin eBooks
- Format: EBook
- Pages: 336
Three Novels by César Aira
- Published: 26 August 2015
- ISBN: 9780241985571
- Imprint: Penguin eBooks
- Format: EBook
- Pages: 336
Astonishing-turns Don Quixote into Picasso
Harper's
A manifestly gifted writer
The Quarterly Conversation
What's really unique about Aira's output, considering the speed with which he 'flies forward' (seemingly by the seat of his pants), isn't that he produces so much work, or that it's fanciful and odd, but that what he's produced forms a coherent body of work - and one that's consistently enjoyable to read
The Argentina Independent
In spite of the apparent randomness of his ideas and the pacing of his breaks, surprises, and cuts in time, he inspires a sort of willingness in the reader to be taken aback; any reader-untrusting or submissive-might enjoy them as if they had pressed "shuffle" on their favorite pop band's discography
Ox and Pigeon
César Aira's novels are the narrative equivalent of the Exquisite Corpse, that Surrealist parlor game in which players add to drawings or stories without knowledge of previous or subsequent additions. Wildly heterogeneous elements are thrown together, and the final result never fails to surprise and amuse
The Millions
Aira's charm is subtle, unobtrusive, it doesn't try to seduce with cheap likeability. He takes a leisurely stroll through his scenes. It's as if Machado de Assis got redrafted by Bolaño and edited by Anatole France
Bookslut
To love the novels of Cesar Aira you must have a taste for the absurd, a tolerance for the obscurely philosophical and a willingness to laugh out loud against your better judgment
NPR Books
Aira's novels display a consistent engagement with the importance of storytelling and the act of writing. The engrossing power of his work comes from how he carries out these feats: with the inexhaustible energy and pleasure of a child chasing after imaginary enemies in the park
Los Angeles Review of Books
Aira's works are like slim cabinets of wonder, full of unlikely juxtapositions. His unpredictability is masterful
Rivka Galchen, Harper's
If there's currently a writer who defies all classification that writer is César Aira. Once you've read Aira, you don't want to stop. Aira is an eccentric, but he's also one of the three or four best Spanish-language writers alive today
Roberto Bolaño
César Aira's body of work is a perfect machine for invention-he writes without necessity or any apparent forebears, always as if for the first time
Maria Moreno, BOMB Magazine
Aira's stories seem like shards from an ever expanding interconnecting universe. He populates the racing void with multitudinous visions, like Indian paintings of gods vomiting gods. He executes digression with muscular lucidity
Patti Smith, The New York Times
Cesar Aira is writing a gigantic, headlong, acrobatic fresco of modern life entirely made up of novelettes, novellas, novellitos... In other words, he is a great literary trickster, and also one of the most charming
Adam Thirlwell
Aira has written over seventy books. They are mostly novels, mostly slim, and mostly astoundingly good. He reminds me of Philip K. Dick, of Honore de Balzac, of Machado de Assis, and of Soren Kierkegaard... all of which is simply to say that he is without compare
Rivka Galchen, The New Yorker
He is an improviser, his work a performance on the page. But experimental, improvisational, performative and dream-like as Aira's many marvellous books are, they also reveal him to be no less of a traditionalist, responding to the most ancient custom of storytelling as a way of passing the hours of the night
Judges’ citation, The Man Booker International Prize 2015
Aira is one of the most provocative and idiosyncratic novelists working in Spanish today and should not be missed
The New York Times
The author who nowadays is perhaps the most original shocking, the most exciting and subversive Spanish narrative writer: Cesar Aira
Ignacio Echeverri
Aira is firmly in the tradition of Jorge Luis Borges and W. G. Sebald
Mark Doty, Los Angeles Times