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A mesmerising new novel from the internationally acclaimed, bestselling author of The English Patient.

'Our book of the year and maybe of Ondaatje's career' Daily Telegraph Books of the Year
**LONGLISTED FOR THE MAN BOOKER PRIZE 2018**

An elegiac, dreamlike novel set in post-WW2 London about memory, family secrets and lies, from the internationally acclaimed author of The English Patient


‘The past never remains in the past…’

London, 1945. The capital is still reeling from the war. 14-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night.

But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? Was her purported reason for leaving true? What secrets did she hide in her past? Years later Nathaniel, now an adult, begins to slowly piece together using the files of intelligence agencies – and through reality, recollection and imagination – the startling truths of puzzles formed decades earlier.

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‘A novel of shadowy brilliance’ The Times
‘Fiction as rich, as beautiful, as melancholy as life itself, written in the visionary language of memory’ Observer
‘Ondaatje brilliantly threads the mysteries and disguises and tangled loyalties and personal yearnings of the secret world...and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year.’ Telegraph

Reviews

Ondaatje [is] such a thrilling writer… I loved [Warlight].

Johanna Thomas-Corr, Evening Standard

Warlight sucked me in deeper than any novel I can remember… fiction as rich, as beautiful, as melancholy as life itself.

Alex Preston, Observer

Place your bets - with this glorious new book... Ondaatje could be in line for another Booker.

Anthony Cummins, Metro

Our book of the year – and maybe of Ondaatje's career.

Daily Telegraph, Books of the Year

[Warlight is] so cunningly assembled… leaner than The English Patient and its focus is tighter, a searchlight’s focus.

Anna Mundow, Washington Post

Warlight is Ondaatje’s most haunting novel after The English Patient… mesmerising.

Nilanjana Roy, Financial Times

From the very first sentence you’re desperate to find out what happens next… All is slowly, tantalisingly revealed, in flashbacks, fragments, digressions and stories within stories, narrated in majestic Ondaatjean style.

Ian Sansom, New Statesman

Skilfully navigating espionage, betrayal and deception, Warlight... takes [Ondaatje] deep into John le Carré territory… a lyrical but sinister mosaic of a hidden world.

Boyd Tonkin, Economist 1843

Ondaatje’s first novel in seven years mesmerizes from start to finish.

Hephzibah Anderson, Mail on Sunday

Ondaatje’s spare and evocative prose perfectly captures the crumbled austerity of post-war London… this is easily his most satisfying and seductive novel in years.

Richard Strachan, Herald Scotland

In Warlight we have a writer who knows exactly what he’s doing – and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year.

Sam Leith, Daily Telegraph

Compulsively and grippingly readable. In fact I read it first at a gallop, enthralled by the image of a city and a world distorted and all but destroyed by war, and then again slowly, determined to savour the details and extract as much as I could from it. Much remained puzzling on this second reading, but two things are clear: Michael Ondaatje is a marvellous writer, and Warlight is a novel which will continue to play in the reader’s imagination.

Allan Massie, Scotsman

The latest novel from the author of The English Patient is just glorious... rendered with Dickensian verve. My hot tip for the Booker Prize.

Allison Pearson, Harpers Bazaar

Ondaatje’s prose is consistently illuminating… It does not stroke the chin of its own wisdom, but allows meaning and poignancy to accumulate through inference and feint. In simple terms, it is an alluring narrative of character and incident told by a powerful storyteller.

Ben Masters, Literary Review

I spend the months before the publication of a new Michael Ondaatje novel trying to keep my expectations in check, telling myself it's simply unfair to expect as much of any writer as I expect from Ondaatje. Then he pulls off a Warlight, and I'm embarrassed by my own lack of faith... [Warlight] is surprising, delightful, heartbreaking and written as only Ondaatje could write it.

Kamila Shamsie, Observer

Dazzling.

Good Housekeeping

The English Patient author Michael Ondaatje weaves another tale of love, loss and memory against a backdrop of World War II... The mysteries come together through a complex, non-linear narrative that revisits and revises each development with careful scrutiny.

Lucy Brooks, Culture Whisper

Lyrical but oblique, [Ondaatje’s] prose matches a mood of mystery and suspicion that tantalises.

Economist

Warlight is a subtly thrilling story… because of the powerful atmosphere Ondaatje invokes of unease, disquiet and the unknown. It’s a masterful book.

Rachel Fellows, Esquire

Absorbing... this is a welcome return from a literary master who knows how to take human experience and cast it elegantly onto the page.

Christian Lisseman, Big Issue

[A] gripping read from a grandmaster.

Hilary A. White, Irish Independent

A dark adult fairy tale where nothing is as it seems… Ondaatje’s magical mystery tour makes for an exceptionally entertaining literary journey.

Arminta Wallace, Irish Times

[There is a] fragile, haunting, almost whispered quality [to] Ondaatje’s writing… So finely constructed are his sentences that you find yourself holding your breath lest you inadvertently disturb their symmetry.

Mick Brown, Daily Telegraph

Haunting… [Ondaatje] casts a magical spell, as he takes you into his half-lit world of war and love, death and loss, and the dark waterways of the past.

Hermione Lee, New York Review of Books

The crepuscular, dreamlike, post-1945 London that Michael Ondaatje invents in his novel Warlight continues to haunt you long after the plot itself.

Blake Morrison

[A] novel of shadowy brilliance.

Robert Douglas-Fairhurst, The Times

Ondaatje’s prose is beautiful, and he successfully builds suspense and tension without seeming too heavy-handed

Ella Walker, Herald Scotland

Michael Ondaatje is at his best when writing about awkward, quiet types

A. S. H. Smyth, Spectator

This elegiac novel combines the stealth of an espionage thriller with the irresolute shifts of a memory play, purposefully full of fragments, loss and unfinished stories. Wonderful.

Claire Allfree, Daily Mail

Brilliant dramatic tale

Love it!

Ondaatje’s prose is consistently illuminating. Warlight is a meditation on the purpose and possibilities of storytelling

Ben Masters, Literary Review

[T]his elegiac novel combines the stealth of an espionage thriller with the irresolute shift of a memory play, purposefully full of fragments, loss and unfinished stories. Wonderful

Claire Allfree, Daily Mail

Warlight is a subtly thrilling story… It's a masterful book

Rachel Fellows, Esquire UK

For the lyrical strength of the prose alone, a new Michael Ondaatje novel is always a treat

Irish Independent

It's suspenseful, intense, and Ondaatje's prose is beautiful.

Prudence Wade

[C]ompulsively and grippingly readable… Ondaatje is a marvelous writer, and Warlight is a novel which will continue to play in the reader’s imagination

Allan Massie, The Scotsman

Ondaatje brings to life this work…with meticulous detail

Hirsh Sawhney, Times Literary Supplement

Ondaatje is a skillfully deliberate writer

Andrew Motion, Guardian

A beautifully crafted work of fiction… [with a] stunning denouement.

Lucy Popescu, New Humanist

Warlight not only shines a light into the shadowy wars…but also the uncertain age of adolescene

Donal O’Donoghue, RTE Guide

This seam of subterfuge and the truth being gradually released from the shadows make Warlight gripping reading… Ondaatje adorns the walls with his characters like a master gallerist

Irish Independent

Warlight is a layered, precisely written, erudite meditation on the damage we do when we make war. It’s eerily prescient.

Morag MacInnes, Tablet

Hypnotic.

Tatler

An exquisite, elegiac account of a life forged in the shadow of other people's secrets, told in language as feathery and delicate as a moth.

Anthony Cummins, Daily Mail

Ostensibly realistic, it is phantasmagoric… Everything he says bristles with improbable life. Reading it is like watching a movie in which, however much activity there is, the atmosphere dominates the plot

Allan Massie, Oldie

A meditative and dreamily lyrical espionage thriller

Claire Allfree and Anthony Cummins, Metro

Ondaatje brings Warlight’s seemingly disparate fragments together with such skill that the ending feels not just satisfying but inevitable. The most lovely conjuring trick, it leaves you in awe of the magician. I emerged blinking into the glare of the 21st century, bereft in a way a novel hasn’t left me bereft for a longtime

Allison Pearson, Sunday Telegraph

Warlight is a layered, precisely written, erudite meditation on the damage we do when we make war

Morag MacInnes, Tablet

Ondaatje’s onion of a novel, his first since 2011’s The Cat’s Table, combines rich intrigue with a meditation on how we rewrite our memories by examining them… a stunning return.

Pat Carty, Hot Press

Magnificent.

Jenna Rak, Glamour Magazine

Nothing in the world of this novel is ever redundant; nothing is accidental. Whenever you come across a striking detail…you can be sure it will crop up again, be charged with more significance, be joined with the rest of the story in a long chain of meaning.

Tessa Hadley, London Review of Books

In Warlight we have a writer who knows exactly what he’s doing – and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year

Sam Leith, Daily Telegraph

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Formats & editions

  • Hardback

    9781787330719

    May 15, 2018

    Jonathan Cape

    304 pages

    RRP $39.99

    Online retailers

    • Abbey's Bookshop
    • Amazon
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

  • Trade Paperback

    9781787330726

    May 14, 2018

    Jonathan Cape

    304 pages

    RRP $29.99

    Online retailers

    • Abbey's Bookshop
    • Amazon
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

  • EBook

    9781473555099

    May 10, 2018

    Vintage Digital

    304 pages

    Online retailers

    • iBooks
    • Amazon Kindle
    • Booktopia
    • eBooks
    • Google Play
    • Kobo
  • Warlight
    Michael Ondaatje

    Paperback

    9781784708344

    April 16, 2019

    Vintage

    224 pages

    RRP $19.99

    Online retailers

    • Abbey's Bookshop
    • Amazon
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

Extract

Part One

A Table Full of Strangers

In 1945 our parents went away and left us in the care of two men who may have been criminals. We were living on a street in London called Ruvigny Gardens, and one morning either our mother or our father suggested that after breakfast the family have a talk, and they told us that they would be leaving us and going to Singapore for a year. Not too long, they said, but it would not be a brief trip either. We would of course be well cared for in their absence. I remember our father was sitting on one of those uncomfortable iron garden chairs as he broke the news, while our mother, in a summer dress just behind his shoulder, watched how we responded. After a while she took my sister Rachel’s hand and held it against her waist, as if she could give it warmth.

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