Harley Quinn Vol. 3 Red Meat (Rebirth)

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One of the most successful best-selling runs on any DC title ever is finally collected in its entirety in this new series of oversize graphic novels, beginning with HARLEY QUINN BY JIMMY PALMIOTTI AND AMANDA CONNER OMNIBUS VOL. 1!

With the creative writing team of Palmiotti and Conner at the helm, the already-popular Harley Quinn hit new heights of acclaim with this New 52 series! Focusing on her madcap humor, intertwined with absurd adventures, this version of Harley topped the charts for weeks on end and won the hearts of readers everywhere.

This gigantic compendium series will see Palmiotti and Conner's run on HARLEY QUINN collected in full! This volume features HARLEY QUINN #0-16, HARLEY QUINN DIRECTOR'S CUT #0, HARLEY QUINN: FUTURES END #1, HARLEY QUINN INVADES SAN DIEGO COMIC CON #1, HARLEY QUINN ANNUAL #1, SECRET ORIGINS #4, HARLEY QUINN HOLIDAY SPECIAL #1, HARLEY QUINN VALENTINES DAY SPECIAL #1 and HARLEY QUINN & POWER GIRL #1-6.

Published: 19 September 2017
ISBN: 9781401273699
Imprint: DC Comics
Format: Paperback
Pages: 400
RRP: $29.99

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About the authors

Jimmy Palmiotti

Jimmy Palmiotti is a multi-award winning, multifaceted comic creator. He is a co-founder of Event Comics, Black Bull Media, Marvel Knights as well as Paperfilms. Palmiotti entered the field as an inker, but at DC he quickly demonstrated his versatility as a writer, authoring such titles as MONOLITH, 21 DOWN, THE RESISTANCE as well as Painkiller Jane, which was developed into a series for Syfy. In addition to being the co-writer of acclaimed series such as MANHUNTER, UNCLE SAM AND THE FREEDOM FIGHTERS and JONAH HEX, Palmiotti has since further broadened his comic vision beyond the printed page, co-scripting the story behind the successful Midway video game Mortal Kombat vs. DC Universe.

Praise for Harley Quinn Vol. 3 Red Meat (Rebirth)

“It's silly, it's funny, it's irreverent.”—Comic Book Resources "Every bit as chaotic and unabashedly fun as one would expect.”—IGN “Harley Quinn is a pure joy as a self-referential comedic anti-villain, and an antidote to the far too serious superhero operas that it shares its universe with.”—Newsarama