There's Money in Toilets: Aussie Chomp

Author: Robert Greenberg

Extract

Extract
'Fire in the hole! Fire in the hole!'

That's all I could hear. My best mate Peter was yelling it out and it made my heart pound in my chest. Get out! Get out! A man could die down here. Why? Because I was in the hole. Right next to Peter. Death was only seconds away.

I leapt up and hit my head on something. That something caused a landslide of dirt and broken glass to pour down on us. Then there was total blackness. It was so dark that I couldn't see my hand in front of my face. I could smell the dust and dirt thrown up by the landslide. And those words were ringing in my ears. Fire in the hole! Fire in the hole! It was bound to hit me full on in the face in a matter of seconds. I screamed.

Peter was crouched down in the hole next to me. His hands hugged his knees as if he was biting his kneecaps. And he was laughing. Cacking himself. He sounded like he was going to choke and die right there and then. So I hit him hard on the head. He laughed some more. Was he insane? Had the pressure got to him? How was I going to save my best friend, let alone save myself?

Okay. I confess. I've lied to you a little bit. You shouldn't always trust what you read. Especially when it's written by someone like me. What my best friend Peter actually said was 'fart in the hole'. He had let one off. Right next to me. Two metres down below the surface of our school oval at three a.m. in the morning. But I wasn't lying to

you about dying down there. Because if you had ever smelt one of Peter's farts, you'd know how bad they were. So bad they had bones in them. But this is not a story about Peter's farts. Although toilets do come into it.

Peter and me had been digging since dark. First, we used our shovels to mark out the size of the hole we were going to dig. About a metre and a half square. We used our shovels to cut out a perfect piece of lawn. Then we lifted it up and carried it a couple of metres away. So then, right on the edge of our school oval, where it slopes down to the road, there was a square patch with no lawn. The soil was exposed. Normal brown soil. But what's below isn't normal.

We started digging. Straight down. Keeping the edges of the hole very square. At absolute right angles to the surface of the oval. We are miners. We are engineers. We know how to keep a hole square so it won't cave in on us. Push the shovel into the sand. Not too hard. You never know when you're going to make contact. Gently push on the shovel with the heel of your shoe. Ease it into the sand. Right up to the hilt. And then, when your hole is somewhere around shin­height, your shovel makes a different sound. Not the soft sound of metal on sand. But the scrunchy sound of metal on glass. You can hear it. You can feel it right up the handle. You don't need light to get this far. Your ears do it all for you. The moment you hear that sound of glass, and feel the shovel hesitate on something hard just under the surface – well, the way your heart pounds, it's like you've just finished a running race.

'Pay dirt, Nick!' Peter yelled out. 'We're on the pay dirt!'

We are digging up old bottles. Bottles that are worth a lot of money. Because we are digging into a rubbish dump that is over a hundred years old. That's what our school oval is built on. An ancient rubbish dump. And that's why I am in a hole two metres deep in our school oval whacking Peter on the head as he laughs so much he farts some more.

Then the small landslide that had started with me jumping up to get some air and hitting my head grows into a bigger landslide which weakens one side of our perfectly engineered hole. WHOOMPF!

One side of the hole caves in. It is like a wall of bricks falling on me. The full weight of the soil catches me right in the shoulder because I am standing up. Peter is still crouching down in the hole. But he isn't laughing any more. Neither am I. I can't see him. He has disappeared beneath me in the cave-in. Buried alive.

I dig furiously with my bare hands and find his hand. He had raised it above his head when the hole caved in. I touch his fingers. They wiggle. He's alive. Suddenly, the soil I am standing in up to my chest explodes outwards. It's Peter. He was still in a crouching position when he was buried, and he has pushed upwards with his legs like an Olympic weightlifter. He breaks through to the surface, dust and broken glass flying everywhere. On his head is a hundred-year-old cracked and broken toilet bowl.

It has saved his life. The bowl has protected his head and given him just enough time to take a gulp of air and push upwards to safety.

After more than a century in the ground, everything rots and decomposes. So there is nothing smelly or slimy or foul in the old toilet bowl. Just dust and soil. Like they say in the movies during a funeral scene, 'ashes to ashes, dust to dust'.

There is a bright full moon, and the millions of bits of smashed and broken old glass glisten and sparkle. I shine my torch on something that has fallen out of the toilet bowl. I pick it up. I can't believe it. My grin looks like the smile painted on a clown at the circus. A miniature whisky bottle! Exactly the same as a full-size one, with a horse embossed on it. A hundred years ago, salesmen would give away little miniature bottles of their products as samples. Today, they are sought-after collector's items and Peter and me know exactly where to sell it. The toilet bowl has protected this tiny bottle for a hundred years.

Peter grins at me. He knows what the miniature is worth. We're going to make some good money from tonight's dig.

'There's money in toilets,' Peter says with a huge smile. Then he farts.

Also by Robert Greenberg

Book Cover:  How to Listen to Great Music: A Guide to Its History, Culture, and Heart
By Robert Greenberg

FROM ONE OF THE MOST TRUSTED NAMES IN CONTINUING EDUCATION-THE KNOWLEDGE YOU NEED TO UNLOCK 'THE MOST ABSTRACT AND SUBLIME OF ALL THE ARTS'

FROM ONE OF THE MOST TRUSTED NAMES IN CONTINUING EDUCATION-THE KNOWLEDGE YOU NEED TO UNLOCK 'THE MOST ABSTRACT AND SUBLIME OF ALL THE ARTS'

Published: 09/06/2011
Format: Paperback
ISBN: 9780452297081
RRP: $24.95
Book Cover:  Swimming with Skeletons: Aussie Chomps

The whole town's obsessed with a local bushranger's long-lost treasure, including Nick and his best mate Peter.   They won't let anything stop them finding it first.

But when they end up trapped in an underwater cave with a skeleton, have they finally gone too far?


The whole town's obsessed with a local bushranger's long-lost treasure, including Nick and his best mate Peter.   They won't let anything stop them finding it first.

But when they end up trapped...

Published: 03/08/2009
Format: Paperback
ISBN: 9780143304654
RRP: $12.95
Book Cover: The Greeblies
Published: 06/03/2006
Format: Digital
ISBN: 9781742281001
Published:04/02/2008
Format:Paperback, 96 pages
RRP:$12.95
ISBN-13:9780143303633
ISBN-10:0143303635
Origin:Australia
Publisher:Penguin Aus.
Imprint:Puffin

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25 May 2012
Australian Society of Authors 2012 Barbara Jefferis Award - winner

All That I Am by Anna Funder has won the Barbara Jefferis Award.

The award is offered annually for “the best novel written by an Australian author that depicts women and girls in a positive way or otherwise empowers the status of women and girls in society”.

Anna beat fellow Miles Franklin contenders Foal's Bread and Cold Light.

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