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  • Published: 20 November 2013
  • ISBN: 9780143124313
  • Imprint: Penguin Classics
  • Format: Hardback
  • Pages: 304
  • RRP: $62.99

A Portrait of the Artist as a Young Man: Penguin Drop Caps



A Portrait of the Artist as a Young Man subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero's quest to create his own character, his own language, life and art.

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Bronte's Jane Eyre, and a 'C' for Willa Cather's My Antonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

J is for Joyce. From its chronicling of youthful days at Clongowes Wood school to the radical questioning of all convention and the desire “to forge in the smithy of my soul the uncreated conscience of my race,” James Joyce’s highly autobiographical A Portrait of the Artist as a Young Man portrays Stephen Dedalus in his Dublin upbringing. In doing so, it provides an oblique self-portrait of young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, A Portrait of the Artist as a Young Man subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero’s quest to create his own character, his own language, life and art: “to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use—silence, exile, and cunning.”

  • Published: 20 November 2013
  • ISBN: 9780143124313
  • Imprint: Penguin Classics
  • Format: Hardback
  • Pages: 304
  • RRP: $62.99

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About the author

James Joyce

The eldest of ten children, James Joyce was born in Dublin on the 2nd of February 1882. Despite his family being impoverished by his father's failings as a business man, Joyce was educated at the best Jesuit schools and later in 1898 at University College Dublin. His first published work was a review on Ibsen's play When We Awaken in the Fortnightly Review in 1900. Upon graduating, Joyce moved to Paris in pursuit of a medical career. Before long, he gave up attending lectures and devoted himself to literature. He returned to Dublin as a result of the fatal illness of his mother and shortly afterwards, in 1904, Joyce met Nora Barnacle who was later to become his wife. The young couple travelled to the continent and in 1905 settled in Trieste where they were to remain until 1915. Joyce's first book Chamber Music was published in 1907 as a book of poetry and Dubliners followed in 1914.

The Joyces had two children; Giorgio, born 1905 and Lucia in 1907. Lucia was to develop a disturbing mental illness which greatly affected the family and would remain a prominent factor for the rest of Jocye's life. During the First World War Joyce moved to Zurich where he remained until 1919 when he moved to Paris to work on what is widely understood as his greatest and most prodigious work, Ulysses. After being worked on for eight years, Ulysses was published in Paris in 1922 on Joyces Birthday. It could be true to say that in Ulysses, Joyce attempts to 'know' everything and to add to this 'knowledge' by creating his own language. Joyce's highly experimental and revolutionary work positioned him firmly as one of the key figures of modernism.

As spoken to Georges Borach, one of Joyce's students in Zurich, Joyce comments that 'there are indeed hardly more than a dozen themes in world literature. Then there is an enormous number of combinations of these themes.' He goes on to denounce all the thinkers of the last 200 years and to position Aristotle as the 'greatest thinker of all time.' Such statements are testimony to Joyce's determination in his quest for knowledge, to know what knowledge was and to challenge it. Joyce greatly admired authors such as Dante, D'Annunzio and Ibsen.

Joyce was greatly admired by many authors including Italo Svevo, author of Zeno's Conscience who he met in Trieste and, Samuel Beckett who he met in Paris.

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